Coroner
First performance: February, 2017
First performance: February, 2017
Coroner is a study of the end, but in studying how people die, we learned more on how they live.
With the generous support of DansiT (Norway) and Stofnun Gunnars Gunnarssonar (Iceland), we we nearly finished our new interdisciplinary work, “Coroner.” The work uses projection to increase audience engagement in art and culture, so the public has multiple facets to interact with the artwork (dancing, video, sound, and the combination of all mediums).
In Coroner, we transposed burial services and end of life practices into a graceful texture of the study of “the end” using mostly interviews instead of music alongside dance and video projection. All the “retro” videos are courtesy of my Elaine Voykin who has lived in the Slocan Valley of British Columbia for 75 years.
Furthermore, our intent is that inclusion of multiple cultural perspectives reinforces thematic dichotomy of diversity in culture but also faith. What’s more, in creating “Coroner,” we were all the more interested in artistically relaying controversial issues (like faith), so as to represent “a varied thought-climate” without taking sides or showing preference for liberal views. As a result, we had to tread lightly over the question of “God,” and this process was extremely rewarding.
A generous thank-you following supporters who kindly donated their time and existential thoughts
Dancers: Variable production proportions available for touring with 4 or 6 dancers
Length: 55 minutes